This paper tries to compare two absurdist plays by examining characters, structure and communication within the plays.
Table of Contents
I. Introduction 3
II. Comparing Absurdist Plays: Samuel Beckett’s Waiting for Godot and Tom Stoppard’s Rosencrantz and Guildenstern are Dead
1. Characteristics of Absurd Theatre
2. Comparison of Waiting for Godot and Rosencrantz and Guildenstern are Dead
2.1. Characters
2.2. Communicational Devices
2.3. Absurd Elements
2.4. Structure
2.5. Ideas and Topics
III. Stoppard’s Further Focus on Social Determinism
IV. Bibliography
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- B.A. Jennifer Schulte (Author), 2013, Comparing Absurdist Plays. Samuel Beckett’s "Waiting for Godot" and Tom Stoppard’s "Rosencrantz and Guildenstern are Dead", Munich, GRIN Verlag, https://www.grin.com/document/432941
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