This thesis is a study of the concept of non-conformity in a selection of Harold Pinter's plays. Chapter one is a historical and social background of England in which Harold Pinter wrote his plays. Chapter two discusses three plays: "The Birthday Party", "The Dumb Waiter", and "The Caretaker". Chapter three deals with two plays: "The Lover" and "The Homecoming". The Conclusion sums up the findings of the thesis.
Inhaltsverzeichnis (Table of Contents)
- Dedication
- Acknowledgements
- Abstract
- Chapter One
- Section One: Historical and Social Background
- Section Two: the Characteristics of Pinter's Plays
- Chapter Two
- Section One: The Individual/Freedom VS. Society/Restriction: The Birthday Party
- Section Two: The Individual vs. Religious and Political Powers: The Dumb Waiter
- Section Three: Individual Vision VS. Social Restriction: The Caretaker
- Chapter Three
- Section One: Society, Family, and Sterile Life: The Lover
- Section Two: That which destroys the family, corrupts society: The Homecoming
- Conclusion
- Bibliography
- Abstract (Arabic)
Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)
This thesis examines the themes of non-conformity and rebellion in a selection of Harold Pinter's plays. It aims to analyze how Pinter's characters challenge societal norms and authority, explore the tension between individual freedom and social restrictions, and reveal the complexities of human relationships.
- Individual vs. Society
- Freedom and Restriction
- Power Dynamics
- The Role of Language
- The Absurdity of Human Existence
Zusammenfassung der Kapitel (Chapter Summaries)
Chapter One provides a historical and social context for Pinter's work, exploring the social and political climate that influenced his writing. It also examines the characteristics of Pinter's plays, focusing on his use of language, silence, and ambiguity.
Chapter Two delves into the theme of non-conformity through an analysis of three plays: The Birthday Party, The Dumb Waiter, and The Caretaker. The chapter explores how the characters in each play resist societal pressures and challenge authority figures.
Chapter Three continues the exploration of non-conformity by examining The Lover and The Homecoming. These plays explore the complexities of family relationships, the destructive nature of societal expectations, and the impact of power dynamics on individuals.
Schlüsselwörter (Keywords)
The thesis focuses on the following keywords and concepts: Harold Pinter, non-conformity, rebellion, societal norms, individual freedom, social restriction, power dynamics, language, silence, ambiguity, theatre of the absurd, existentialism, The Birthday Party, The Dumb Waiter, The Caretaker, The Lover, The Homecoming.
Frequently Asked Questions
What is the central theme of this study on Harold Pinter's plays?
The thesis explores the concept of non-conformity and rebellion, analyzing how characters challenge societal norms and authority.
Which plays are analyzed in relation to individual freedom versus social restriction?
The study analyzes "The Birthday Party", "The Dumb Waiter", and "The Caretaker" as examples of individuals facing social, religious, or political powers.
How does the study interpret "The Homecoming"?
It examines the play through the lens of family destruction and how it subsequently corrupts society.
What are the key characteristics of Harold Pinter's writing style discussed?
The thesis focuses on Pinter's specific use of language, the significance of silence, and the inherent ambiguity in his narratives.
In what historical context were these plays written?
Chapter one provides the historical and social background of England during the period Pinter was active as a playwright.
- Citar trabajo
- Raad Abd-Aun (Autor), 2001, Non-Conformity in a Selection of Harold Pinter’s Plays, Múnich, GRIN Verlag, https://www.grin.com/document/311653
