Rolf de Heer's 'The Tracker'. Its Role in Australian Postcolonial Narratives and the Concepts of Mimicry and Primitive

Hausarbeit , 2014 , 13 Seiten , Note: 2,0

Didaktik für das Fach Englisch - Literatur, Werke

This term paper deals with the film "The Tracker" and will focus on the representation of the black tracker role as a subversive person and character and not as a victim. The film was produced and directed by Rolf de Heer in 2002. It is set in 1922 in the Australian outback where three policemen follow their chained aboriginal tracker.

He is not presented as a victim but as a suppressed black man who tricks the white men. The man uses his tracking abilities to find the man who apparently raped a white woman who the policemen thus want to capture and execute. The names of the men refer to their characters and not their names. There is the Fanatic, the Follower, the Veteran and the Fugitive. The film takes a look at a fictional tracker’s everyday working life and is based on Aboriginal tracking skills, which they learn from a very early age. Particular information about Trackers will be given further on.

There are many reasons to deal with the film and the topic; in the first place it recaptures how Aboriginal people were used by the white Australian government. The topic of the film is also essential for the Australian population and the Aboriginal people, since the British settled down in Australia in 1788. The indigenous people were not always treated in a humanitarian manner. The first contact between black and white people was in the beginning sometimes peaceful, as the story of Bennelong shows. Bennelong was “the first Aboriginal [man who was] introduced to [the] English culture”.
Nevertheless, the first contact between the settlers and the Aboriginal were also marked by brutality and repression, “physical and cultural violence’’.

The paper will also deal with the concepts of Mimicry and Primitive, since these are important effects of the Colonization. Likewise, they play a role for the black tracker character in the film, which will be demonstrated further in the paper. Also, it will show the contrasts and similarities in clothing between the tracker and the officers, which will give evidence for mimicry.

Furthermore, the paper will point out what trackers do and the importance of tracking in the aboriginal culture. Trackers are of huge importance in the aboriginal culture. Also it gives an outlook into their culture and living.

Inhaltsverzeichnis (Table of Contents)

• 1. INTRODUCTION.
• DAVID GULPILIL
• 2. WHAT IS A TRACKER?
• TRACKERS IN HISTORY - EDWARD JOHN EYRE
• 3. CONCEPT OF MIMICRY
• CONCEPT OF PRIMITIVE
• 4. CHARACTERS: THE FANATIC, THE FOLLOWER, THE VETERAN, THE FUGITIVE.
• IMAGE OF THE TRACKER'S ROLE.
• 5. CONCLUSION
• 6. BIBLIOGRAPHY

Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)

This term paper focuses on the representation of the black tracker in the film "The Tracker" by Rolf de Heer, specifically examining the role as a subversive individual rather than a victim. The film explores the complex relationship between white settlers and Aboriginal people in 1922 Australia, highlighting the use of Aboriginal tracking skills by the authorities.

• The role of Aboriginal trackers in Australian history and their exploitation by the white government.
• The concept of mimicry and its impact on Aboriginal identity in the context of colonization.
• The portrayal of Aboriginal people as "primitive" and its implications for their cultural understanding.
• The film's exploration of the power dynamics between white settlers and Aboriginal people through the character of the tracker.
• The importance of tracking skills within Aboriginal culture and their significance in the film.

Zusammenfassung der Kapitel (Chapter Summaries)

The introduction provides an overview of the film "The Tracker" and its focus on the representation of the black tracker as a subversive character. It also introduces the historical context of Aboriginal people in Australia, highlighting the impact of British colonization and the first contact between Aboriginal and white people.

Chapter 2 explores the role of trackers in Australian history, highlighting their use by explorers and police forces. It also discusses the importance of tracking skills within Aboriginal culture, emphasizing the knowledge and expertise passed down through generations.

Chapter 3 examines the concepts of mimicry and primitivity, key themes in postcolonial studies. It discusses how these concepts relate to the representation of Aboriginal people in Australian society and their experiences under colonization.

Schlüsselwörter (Keywords)

This term paper focuses on the representation of the black tracker in Australian postcolonial narratives, exploring themes of mimicry, primitivity, and Aboriginal cultural practices. The film "The Tracker" by Rolf de Heer serves as a case study, highlighting the complex relationship between white settlers and Aboriginal people in 1922 Australia. Key concepts include tracking skills, Aboriginal identity, colonization, and the power dynamics between colonizer and colonized.

• Hochschule: Universität zu Köln (Philosophisches Seminar)
• Veranstaltung: In the Wake of First Contact: Australian Postcolonial Narrative
• Note: 2,0
• Autor: Belgin Yücel (Autor:in)
• Erscheinungsjahr: 2014
• Seiten: 13
• Katalognummer: V303032
• ISBN (eBook): 9783668016507
• ISBN (Buch): 9783668016514
• Sprache: Englisch
• Schlagworte: rolf, heer, tracker, role, australian, postcolonial, narratives, concepts, mimicry, primitive