Festivals and their attraction. Expression and part of a new religious movement

Dossier / Travail , 2009 , 15 Pages , Note: 2,0

Philologie Anglaise - Culture et Études de pays

This term paper deals with music festivals as a phenomenon in Great Britain and its attribute of being part of a new form of religious movement. Apart from the historical origins and the development throughout the time of festivals the focus is on the comparison between religions and the fan cult in the music business and its religious structures.

Inhaltsverzeichnis

• Introduction
• How did a festival become what it is nowadays?
• The phenomenon of a festival – What makes it that special?
• Music as a new form of religion
• Services in the world of music and the influence of the audience
• Conclusion - Despite criticism on the way to an established belief
• Works cited

Zielsetzung und Themenschwerpunkte

This term paper examines music festivals in Great Britain, focusing on their emergence as a new form of religious movement. It explores the historical origins and evolution of festivals, comparing religious structures with the fan culture and religious aspects within the music industry.

• The historical development and evolution of music festivals
• The unique characteristics and appeal of music festivals
• The comparison between religious structures and fan culture in the music industry
• The role of music as a potential new form of religion
• The influence of the audience on the music industry and its services

Zusammenfassung der Kapitel

The first chapter delves into the origins and evolution of music festivals, tracing their roots back to medieval times. It explores the transition from religious festivals to the diverse range of music festivals prevalent today, highlighting the shift from indoor concerts to outdoor events with additional attractions. The chapter also examines the carnivalesque atmosphere often associated with festivals, particularly rock and pop festivals, and the role of comedy acts in providing light relief.

The second chapter explores the unique characteristics of music festivals, comparing them to circuses and the Roman concept of "bread and games." It examines the professional nature of the music industry and the nomadic lifestyle of musicians, drawing parallels with circuses. The chapter also discusses the role of costumes and audience participation in creating a carnivalesque atmosphere.

• Université: University of Passau
• Note: 2,0
• Auteur: Martin Eder (Auteur)
• Année de publication: 2009
• Pages: 15
• N° de catalogue: V281351
• ISBN (ebook): 9783656746812
• ISBN (Livre): 9783656746744
• Langue: anglais
• mots-clé: festivals, expression