For the longest time the genre of Sensationalism has been decried as cheap entertainment for the uneducated masses. Especially in the 19th century sensational writing has been frowned upon by the literary elite due to its commercialism and lowly or negative information value. Most authors of the time, who fancied they were serving the taste of an educated readership, distanced themselves from the sensational genre and denied its influence on their work. Therefore the actual impact of Sensationalism on 19th century literature has often been disregarded although in the case of some authors it is openly displayed. The aim of this paper is to demonstrate this impact by examining the reaction and response of the authors Edgar Allan Poe and Nathaniel Hawthorne towards literary and journalistic Sensationalism of their time and reveal how both authors exploited material and themes of the genre in different ways for their own purposes.
Contents
1. Introduction
2. Sensationalism in Britain and Antebellum America
2.1. A Brief History of Sensationalism
2.2. Definition and Key Features
2.2.1. Journalism
2.2.2. Fiction
2.3. Criticism and Defence
3. Elitist Sensationalism a laBlackwood’s
3.1.Blackwood’s Edinburgh Magazine
3.2. TheBlackwood’sSensation Tale
4. Edgar Allan Poe’s Sensationalism
4.1. Poe and Parody
4.2.Blackwood’sParodies in Psyche Zenobia’s tales
4.3. Exploitation of the Genre in “The Premature Burial”
5. Hawthorne’s Allegoric Sensationalism
5.1. Hawthorne and Sensationalism
5.2. Treatment and Transformation of Sensational Themes
5.2.1. Psychological Sensationalism in “Wakefield”
5.2.2. Sensational Material in “Egotism; or, The Bosom Serpent”
6. Conclusion
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Téléchargez vos propres textes! Gagnez de l'argent et un iPhone X. -
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Téléchargez vos propres textes! Gagnez de l'argent et un iPhone X. -
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Téléchargez vos propres textes! Gagnez de l'argent et un iPhone X. -
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Téléchargez vos propres textes! Gagnez de l'argent et un iPhone X. -
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Téléchargez vos propres textes! Gagnez de l'argent et un iPhone X.