Friedrich Wilhelm Murnau’s Nosferatu – Eine Symphonie des Grauens is a horror film classic from 1922. In 1979 Werner Herzog produced a movie called Nosferatu – Phantom der Nacht, in which he used Murnau’s direction ideas.
In this paper, I first analyse and compare the influence of colours and lighting on the atmosphere in both movies. Thereafter, I point out the differences in atmosphere between the silent movie with background music and the film with diegetic sounds. Finally, I focus on some differences in cinematography and editing in order to find out how different techniques evoke different feelings in the viewer.
I do all this with the intention of proving that, even though advanced filming techniques have improved the understanding of details in movies, the genre of the horror film has not profited from the developments but, in contrast, runs the risk of appearing absurd or parodic.
Table of Contents
1. Introduction
2. Colours and Lighting
2.1. Symphonie (1922)
2.2. Phantom (1979)
3. Sound
3.1. Symphonie (1922)
3.2. Phantom (1979)
4. Cinematography and Editing
4.1. Symphonie (1922)
4.2. Phantom (1979)
5. Conclusion
Works Cited
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Téléchargez vos propres textes! Gagnez de l'argent et un iPhone X. -
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Téléchargez vos propres textes! Gagnez de l'argent et un iPhone X. -
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Téléchargez vos propres textes! Gagnez de l'argent et un iPhone X.