This study is an investigation of Tom Tykwers film adaption “Das Parfum” based on the homonymous novel by Patrick Süskind. The aim of the investigation is to explicate how the depiction of the olfactory sense operates although or just because of the specific means of the “non-smelling” medium “movie”.
Inhaltsverzeichnis
I. Einleitung
II. Intersensualität - eine Begriffseingrenzung
III. Geschichte des Duftkinos
IV. Das Parfum
a. Der Roman
b. Der Spielfilm
V. Untersuchung der Übersetzungsformen
a. Übersetzung als Prozess der Intermedialität: Literaturverfilmung
b. Übersetzung als Prozess der Intersensualität: Sinn-Versinnbildlichung
i. Erste Szene
ii. Zweite Szene
iii. Dritte Szene
iv. Vierte Szene
VI. Schluss
VII. Bibliografie
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