This paper deals with Afrofuturism and black ecologies in american films. A survey from October 2017 has shown that almost all of the black people who responded to it (92 percent) said they felt that discrimination against African-Americans exists in America today. Furthermore, at least half said they had personally experienced racial discrimination concerning equal pay, employment, and promotions, or in their encounters with police, but also when going to a doctor or a health clinic.
Many of these surveys illustrate the discrimination today of especially African Americans in the United States and hence their dissatisfaction with the political situation in the country concerning the treatment of colored people. Despite the civil rights movement during the 1950s and 1960s, which was a struggle for social justice for blacks to gain equal rights under the law in the United States, discrimination against blacks did not end then (History). Even though the Civil War (1861-1865) officially abolished slavery, African Americans continued to endure the devastating effects of racism, especially in the South (History).
Table of Contents:
1 Introduction
2 Theoretical Background
2.1 What is Afrofuturism?
2.2 Afrofuturism in Film
3 Afrofuturism in Film in the 20th and 21st Century
3.1 Analysis of Space is the place (1974)
3.2 Analysis of Black Panther (2018)
4 Conclusion
Works Cited
- Citation du texte
- Nevin Baidoun (Auteur), 2018, Afrofuturism and Black Ecologies in Film. The Examples of "Black Panther" and "Space is the Place", Munich, GRIN Verlag, https://www.grin.com/document/1042143
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