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filmgeschichte
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Der (un)sichtbare Schnitt. Montage im Laufe der Filmgeschichte
Eine Analyse von „Oktober“ (1928) und „Double Indemnity“ (1944)
Autor:in: Anonymous
Subject:
Film Science
Category:
Term Paper (Advanced seminar) , 2014 , Grade: 1,7
Price:
US$ 17.99
Vergleichende Stilanalyse der Filme „Der Himmel über Berlin“ und „City of Angels“
Autor:in:
Joachim Dollhopf (Author)
Subject:
Film Science
Category:
Seminar Paper , 2008 , Grade: 1,0
Price:
US$ 14.99
Charakteristika des neusachlichen Films: Berlin - Die Sinfonie der Großstadt
Autor:in:
Teresa Hochmuth (Author)
Subject:
Film Science
Category:
Seminar Paper , 2002 , Grade: 1,0
Price:
US$ 17.99
Die Stummfilmgeschichte von New York und Berlin
Autor:in:
Jenny Karpe (Author)
Subject:
Film Science
Category:
Term Paper , 2020 , Grade: 1,0
Price:
US$ 15.99
Fritz Langs Spielfilm "Metropolis" (1927). Inhalt, Gestaltung und Genre
Autor:in:
Elias Hackenberg (Author)
Subject:
Film Science
Category:
Academic Paper , 2019 , Grade: 1,0
Price:
US$ 14.99
(K)ein abgefilmtes Theater. Die Besonderheiten des frühen Kinos am Beispiel von Georg Méliès
Autor:in:
Uladzimir Zhyhachou (Author)
Subject:
Film Science
Category:
Bachelor Thesis , 2017 , Grade: 1,0
Price:
US$ 17.99
Analyse der Filmmusik in NS-Propagandafilmen anhand grundlegender Wirkungsmodelle von Musik in Film und Werbung
Autor:in:
Tina Pepper (Author)
Subject:
Film Science
Category:
Term Paper (Advanced seminar) , 2010 , Grade: 1,0
Price:
US$ 17.99
„Zur Sache, Schätzchen“ - ein Neuer Deutscher Film?
Autor:in:
Louisa Manz (Author)
Subject:
Film Science
Category:
Term Paper (Advanced seminar) , 2013 , Grade: 1,0
Price:
US$ 17.99
Die neue südkoreanische Welle als Befreiungsschlag des Kinos
Autor:in:
Fabian S. M. Huber (Author)
Subject:
Film Science
Category:
Seminar Paper , 2008 , Grade: 1
Price:
US$ 16.99
Selbstreflexivität im Film am Beispiel von Jean-Luc Godards "À bout de souffle"
Autor:in:
M.A. Marius Nobach (Author)
Subject:
Film Science
Category:
Seminar Paper , 2006 , Grade: 1,7
Price:
US$ 14.99
Das Phänomen des Blockbusters
Wann ist ein Film ein Blockbuster und wie wird er zu einem?
Autor:in:
Matthias Starte (Author)
Subject:
Film Science
Category:
Term Paper , 2009 , Grade: 2.0
Price:
US$ 14.99
Ein Gespenst geht um in der Filmkultur – die (un)sichtbare Revolution der Bits und Bytes
Autor:in:
Canan Turan (Author)
Subject:
Film Science
Category:
Essay , 2007 , Grade: 1,7
Price:
US$ 14.99
Der Untergang der Filmära - Die Digitalisierung der Filmkultur und ihre Auswirkungen
Autor:in:
Viktor Witte (Author)
Subject:
Film Science
Category:
Seminar Paper , 2007 , Grade: 1,0
Price:
US$ 14.99
Die Propagandafilme von Charlie Chaplin
Autor:in:
Martin Heyer (Author)
Subject:
Film Science
Category:
Term Paper , 2005 , Grade: 1,7
Price:
US$ 17.99
Arthouse und seine Chancen. Identität und Kuration deutscher Programmkinos in Bezug auf das französische "Cinéma Art et Essai"
-
New
Autor:in:
Sandel Marie Göbel (Author)
Subject:
Film Science
Category:
Bachelor Thesis , 2022
Price:
US$ 20.99
Das Böse in "Twin Peaks" von David Lynch
Autor:in:
Felix Waldschütz (Author)
Subject:
Film Science
Category:
Seminar Paper , 2021 , Grade: 1
Price:
US$ 15.99
Ein Bild pro Film. Die kinematographische Fotografie von Jeff Wall
Autor:in:
Max Christ (Author)
Subject:
Film Science
Category:
Term Paper , 2017 , Grade: 1,7
Price:
US$ 16.99
Filmanalyse zu "James Bond: Skyfall". Die gewandelten Krisen des James Bond Films in der Post-Millenniumszeit
Autor:in:
Johanna Marxsen (Author)
Subject:
Film Science
Category:
Term Paper , 2019 , Grade: 1,3
Price:
US$ 15.99
Lichtgestaltung am Beispiel von Derek Jarmans "Caravaggio"
Autor:in:
Janina Schizmer (Author)
Subject:
Film Science
Category:
Term Paper (Advanced seminar) , 2009 , Grade: 1,0
Price:
US$ 16.99
Der propagandistische Wert der Figur Dorothea Sturm im NS-Film „Jud Süß“
Autor:in:
Carola Boßler (Author)
Subject:
Film Science
Category:
Term Paper (Advanced seminar) , 2009 , Grade: 1,0
Price:
US$ 14.99
Robert Bresson: Gemeinsamkeiten der Hauptfiguren
Autor:in:
Dipl. Jonathan Lecot (Author)
Subject:
Film Science
Category:
Seminar Paper , 2006 , Grade: 2
Price:
US$ 14.99
Der Motion Picture Production Code im klassischen Hollywood-Kino
Autor:in:
Petia Ganeva (Author)
Subject:
Film Science
Category:
Term Paper , 2004 , Grade: 1,3
Price:
US$ 14.99
Filmanalyse: Kamera- und Objektbewegungen am Beispiel von Eisensteins "Panzerkreuzer Potemkin"
Autor:in:
Eduard Luft (Author)
Subject:
Film Science
Category:
Presentation (Elaboration) , 2003 , Grade: 1
Price:
US$ 14.99
Masse, Ornament, Kriegsrevue - Propaganda im Nationalsozialismus unter dem Aspekt von Massen-Repräsentationen am Beispiel des NS-Spielfilms WUNSCHKONZERT (1940).
Autor:in:
Tillmann Allmer (Author)
Subject:
Film Science
Category:
Term Paper (Advanced seminar) , 1999 , Grade: 1
Price:
US$ 17.99
Österreichisches Filmmuseum und Filmarchiv Austria - Unterschiede in der Filmgeschichtsschreibung
Autor:in:
Angelika Kreitner (Author)
Subject:
Film Science
Category:
Term Paper , 2007 , Grade: 1,0
Price:
US$ 14.99
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