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Authentisierungs- und Subjektivierungsmechanismen im Direct Cinema. Am Beispiel der Festivaldokumentation "Woodstock (1970)" von Michael Wadleigh
Author:
Diana Pfeifle (Author)
Subject:
Musicology - Popular music
Category:
Term Paper, 2021
Price:
US$ 14.99
"We live always underground". New Order’s Power, Corruption and Lies (1983) as an Ode to the Independence Ethos and Melancholy as an Aesthetic
Author:
Leona Walter (Author)
Subject:
Musicology - Popular music
Category:
Term Paper, 2020
Price:
US$ 15.99