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(Results for »
Deleuze
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Der filmtheoretische Ansatz von Pier Paolo Pasolini über die Filmsprache aus der Perspektive von Gilles Deleuze
Im Fokus: Deleuzes Kinobücher „Das Bewegungs-Bild“ und „Das Zeit-Bild"
Author:
Petia Ganeva (Author)
Subject:
Film Science
Category:
Term Paper (Advanced seminar), 2005
Price:
US$ 14.99
Der Film "The Hateful 8" (Quentin Tarantino, USA 2015) aus der Perspektive von Gilles Deleuze
Author:
Giulia Friedrich (Author)
Subject:
Film Science
Category:
Research Paper (undergraduate), 2019
Price:
US$ 17.99
Die Funktion der Großaufnahme des Gesichts im Film: Vergleich der Konzepte von Carl Plantinga und Gilles Deleuze
Author:
Anna Jontza (Author)
Subject:
Film Science
Category:
Term Paper (Advanced seminar), 2005
Price:
US$ 17.99
Jim Jarmusch' Permanent Vacation
Analyse der Exposition unter Rückgriff auf Gilles Deleuze' Taxonomie des Kinos
Author:
Thilo Fischer (Author)
Subject:
Film Science
Category:
Seminar Paper, 2010
Price:
US$ 14.99
Mentales Bild
In der Eingangssequenz von Hitchcocks "Rear Window"
Author:
Thilo Fischer (Author)
Subject:
Film Science
Category:
Term Paper (Advanced seminar), 2010
Price:
US$ 14.99
Film-Theorien. Von der sowjetischen Montagetheorie zur Genretheorie
Author:
Corinna Gronau (Author)
Subject:
Film Science
Category:
Term Paper, 2010
Price:
US$ 17.99
Filmosophy - About Framptons Radically New Way of Understanding Cinema
Author:
Martin Thiele (Author)
Subject:
Film Science
Category:
Term Paper, 2009
Price:
US$ 16.99
Beobachtung der Vergangenheit. Eine Untersuchung der Rückversetzung in der Zeit im Film "Inception"
Author:
Jennifer Münster (Author)
Subject:
Film Science
Category:
Term Paper, 2015
Price:
US$ 14.99
Das Mosaik als Erzählstruktur im Film "Cloud Atlas". Plot, Stil sowie Verbindungsmethoden der Fragmente
Author:
Jennifer Münster (Author)
Subject:
Film Science
Category:
Term Paper (Advanced seminar), 2017
Price:
US$ 17.99
Montage und die filmische Raum-Zeit
Wie aus vielen Einheiten, eine wird
Author:
Ron Rothe (Author)
Subject:
Film Science
Category:
Seminar Paper, 2016
Price:
US$ 15.99
Kennzeichen und Typen der amerikanischen Filmfarce: Buster Keaton und W.C. Fields
Author:
Clemens Grün (Author)
Subject:
Film Science
Category:
Term Paper (Advanced seminar), 2001
Price:
US$ 17.99