Abstract or Introduction
After the war a group of American writers referred to as the Beat Generation communicated their profound disaffection with contemporary society through their unconventional writings and lifestyle. In the 1950s began the experimentation in style and form that continues even to the present day. As a result of World War II, Nabokov and Vonnegut created texts in which narrators or protagonists are displaced, are “outsiders” in a sense. The notion of “home” is altered, especially in Vonnegut’s case, as he never feels really “at home” in post-war America. Both Kurt Vonnegut and Vladimir Nabokov are the products of lost paradises, which reverberate in their work with a nostalgia unmarred by selfpity. Nabokov’s idyllic, cushy Russian youth has the advantage of sounding like paradise; Vonnegut’s was prewar Indianapolis, which doesn't. His parents didn't have a happy adulthood: his mother finally killed herself not long before
Kurt was captured in the Battle of the Bulge. Even so, he's one of the few
American writers to have had a happy childhood, which was also a privileged
one, until his prosperous family went bust in the Depression.
- Quote paper
- Andra Stefanescu (Author), 2006, Modernity and Postmodernity - Nabokov vs. Vonnegut, Munich, GRIN Verlag, https://www.grin.com/document/91274
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