This essay (ca 2,300 words) concentrates on how comedy functions as a means of revealing characters in THE CRIPPLE OF INISHMAAN, an Irish drama of the late 1990s, written by Martin McDonagh.
Central to the essay are a detailed examination of the most relevant characters and the comic effects McDonagh applies to them, both from the viewer's point of view during the play and after the thought-provoking ending.
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