The concepts of Essentialism and Post-Blackness are contrary to each other in their perception and construction of Black identity. This essay deals with the concepts of Essentialism and Post-Blackness in comedy, namely in the comedies of Dave Chappelle and Key & Peele. I will argue that, against the claim of Touré that Dave Chappelle's comedy is the best representative of Post-Blackness, Dave Chappelle's sketches show essentialistic representations of Blackness, whereas the
comedy of Key & Peele represents Blackness in the light of Post-Blackness.
Thus I will claim that there has been a change in the representation of Blackness in the comedies of Black entertainers from essentialism to Post-Blackness and will integrate Paul Gilroy's, Stuart Hall's, Wahneema Lubiano's, Arthur R. McGee's and Touré's views on essentialism and post-blackness.
Table of contents
1. Introduction
2. Historical background
3. Theoretical background
4. Material
5. Analysis
6. Conclusion
7. References
- Quote paper
- Marc Läpple (Author), 2016, Representations of Blackness in the Comedies of Dave Chappelle and Key & Peele, Munich, GRIN Verlag, https://www.grin.com/document/344717
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