“There is nothing to writing. All you do is sit down at a typewriter and
bleed.”1 This quote of Ernest Hemingway already is a portent of what his writing is
about. It is personal; so very personal that he even uses the metaphor of his own
blood for describing it. Deep in meaning, it emerged out of his inner life and was
brought to paper just like that. And his style is reflecting this perfectly- it is plain and
easily readable with a much broader and more complex meaning underneath the
surface. However, before bleeding, one had usually got hurt, for there must be a
wound. This wound can be seen as the background of his writings, namely the
Modernist era with its fundamental uncertainty of the individual, its threat of the
First World War, its new theories in psychology and its complex philosophical basis.
This work is concerned with how Hemingway adapted to this time and its changes
and how he was influenced by the contemporary philosophy; all in all: with the ways
in which Hemingway is seen as a Modernist author. [...]
Table of Contents
1. Ernest Hemingway and the period of Modernism
2. The contemporary side of Hemingway’s writing
2.1 The Iceberg Theory
2.1 Connections to the works of Freud and Nietzsche
3. Despair and emptiness of modern life: Analysis and comparison of Ernest Hemingway’s “A Clean, Well-Lighted Place” and “The Killers”
3.1 The Fear of Nothingness: “A Clean, Well-Lighted Place”
3.2 Coping with Nada in “The Killers”
4. Old and Modern
5. Bibliography
“It was all a nothing and man was nothing too” - Ernest Hemingway’s Modernist Short Fiction and its bounds to Modern Philosophy
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