Preliminaries
The first song whose rhythmic style of singing predates rapping was already published in the 1920s. About 50 years later, the first historically known rap song was published.
Since then, this genre has undergone many changes and has been examined from diverse angles. Various cultural, historical and language-centered studies have been conducted on rap music. There is, however, little research particularly concerned with
the different musical categories of rap, vocal deliveries of rap and the usage and understanding of language in contexts of rap from a pragmatical point of view. To investigate some of the genres linguistic properties, the main focus of this paper will
be on the genres, prosody and pragmatics of rap music.
The paper is divided into five chapters and three major parts. After the introduction and some general thoughts about the history of rap music, the first major part deals with the generic classification of this genre in chapter three. A general overview of the
different genres of rap is given here by focusing on their musical, thematic and vocal style variations. It will be explored whether genres of rap are related to each other, overlap and whether each genre encompasses a different style of vocal delivery. All
the lyrics of the songs which will be mentioned and discussed in this thesis are available in the appendix accompanied by a CD of songs and files.
Taking into account the different vocal styles, which will be mentioned in chapter three, in chapter four, particular focus will be drawn to the prosodic variations of vocal styles, especially to stress. In this respect, an experiment has been conducted by
which prosodic differences of vocal styles will be discussed in chapter four. It is not the objective of this thesis to focus on the physical nature of musical sounds (i.e. instrumental sounds) of rap music or the musical styles of different rap genres.
[...]
Table of Contents
1. Preliminaries
2. A Brief History of Rap Music
3. Genres of Rap
3.1 Party Rap
3.2 Mack Rap
3.3 Jazz Rap
3.4 Reality Rap
3.5 Generalizations and Comparisons of Genres
4. Prosody of Rap
4.1 Experiment
4.2 Flow Diagrams
4.3 Analysis of Speech-Effusive Flow
4.4 Analysis of Sung Flow
4.5 Analysis of percussion-effusive Flow
4.6 Prosodic Similarities and Differences of Flows
5. Pragmatics of Rap
5.1 Speech Act Theory
5.2 Speech Acts
5.3 Word-to-world Direction of Fit vs. World-to-word Direction of Fit
5.4 Classification of Illocutionary Acts
5.5 Black Speech Acts
5.6 Dissing
6. Conclusion
Appendix
Flow Diagrams
Tables
References
Online Sources
Discography
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