Ever since the horror genre has established, it has fascinated viewers around the world. Despite (and to some degree also because of) its controversial status, the horror film has gained much popularity. At the same time it has also been the target of critics. Especially in academic writing the horror film seems to have been neglected. Nonetheless, the horror film has this one peculiarity that other genres don't have. As Rick Worland correctly stated, "A given phase of the horror film often reveals something about the times that produced it, exposing anxieties and outright fears of those days, though doing so in a roundabout or thoroughly unintentional way." (Worland 55-56). Thus there have been many approaches on the horror film and the cultural fear in it. Among other interpretations, the theory of the cultural fear of war has become significant. The connection between war and the cultural fear is definitely not arbitrary. To a great part, this expression is the product of the fearful events that occured in western society.
But the content of most horror movies not only indicates the fear of events that took place. these expressions in the horror film have often been understood as metaphors of the fear of a social reconstruction, hence as the fear of things to come- Wars have always existed, and the horror genre has not, at least not as aunique genre. Compared to other genres in literature, the gothic novel - nowadays recognized as the predecessor of the horror genre - came about very late. The emancipation of women, being an important factor in the social construction of modern times, has also established very late. Is this just a coincidence, or does this indicate a stronger connection between cultural fear and the emancipation of women? With respect to that, this term paper will specifically deal with two of Tod Browning's most popular movies: "Freaks" and "Dracula". The first part of this term paper will consider the expression of fear in horror movies as an unconscious reaction to the emancipation of women. Particularly Pierre Bourdieu's ideas in Masculine Domination and Norbert Elias' schemes in The Established and the Outsiders will help to understand the impact of the emancipation of women on the horror genre. In the two chapters that follow, Bourdieu's and Elias' ideas will be applied on "Freaks" and "Dracula"...
Inhaltsverzeichnis (Table of Contents)
- Introduction
- Horror and the Horrifying Emancipation of Women
- Power Relations in "Freaks"
- Similarities and Differences of Women and Monstrosities
- Social Discrepancies in "Freaks"
- Power Relations in "Dracula"
- Fear and Power in "Dracula"
- Masculine Rationalism, Female Submissiveness and Animalism
- Conclusion
Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)
This term paper aims to analyze the expression of fear in Tod Browning's "Freaks" and "Dracula" through the lens of gender theory, particularly focusing on the emancipation of women and its impact on the horror genre.
- The relationship between the horror genre and the emancipation of women.
- The role of power relations between the sexes in Tod Browning's films.
- The portrayal of women and monstrosities in "Freaks" and their social implications.
- The depiction of fear, power, and alienation in "Dracula."
- The connection between gender roles, cultural anxieties, and the horror genre.
Zusammenfassung der Kapitel (Chapter Summaries)
The first chapter introduces the connection between the horror genre and the emancipation of women, highlighting the cultural anxieties and societal changes that fueled both. It examines the theoretical frameworks of Pierre Bourdieu and Norbert Elias, who offer insights into the power dynamics between men and women.
The second chapter focuses on "Freaks," exploring the parallels between women and monstrosities. It analyzes the social discrepancies depicted in the film and the critical reactions it received, highlighting how these reflect societal anxieties surrounding gender roles.
The third chapter dives into "Dracula," examining the elements that contribute to its horror. It analyzes the relationship between fear, power, and alienation, and explores the interplay of masculine rationalism, female submissiveness, and animalistic qualities in the film's narrative.
Schlüsselwörter (Keywords)
This paper examines the intersection of horror, gender, and social power dynamics. Key terms and concepts include: horror genre, emancipation of women, cultural fear, masculine domination, power relations, social discrepancies, gender roles, monstrosities, alienation, and the representation of fear in film.
- Citar trabajo
- Shahab Uddin (Autor), 2008, Masculinity, Femininity and other Curiosities in Tod Browning's 'Freaks' and 'Dracula', Múnich, GRIN Verlag, https://www.grin.com/document/136785
